Today’s Cool album of the Day (#952 in the Series) is The Doobie Brothers, What Were Once Vices Are Now Habits. Can you believe that this little gem was released 41 years ago this week!! I really enjoy the decade or so tradition of bands playing one of their albums in its entirety. I know it would probably never happen, but if the Doobie Brothers were to do add join that tradition, then they should play “What Were Once Vices Are Now Habits.” This was easily my favorite album of theirs. I always loved the overall sound of it. The breezy feel that it had, the use of harmonies and wooden instruments and yes, a trombone tossed in here...

Today’s Cool Album of the Day (#951 in the Series) is Big Country, Steeltown 30th Anniversary Edition The 80s were, without a doubt, a golden era for Scots pop/rock music.  A storm which began brewing deep in the punk and new wave sounds of the late 70’s suddenly gathered it’s forces and unleashed a Tsunami of talent which didn’t diminish for years. One of those talents was the wonderfully gifted Stuart Adamson, a young man who was a founding member of The Skids, a fantastic band from Fife which had great success between 1977 and 1982, became very influential , and which these days has attained semi-legendary status among fans of the Punk/New Wave era. Adamson actually left the band...

Today’s Cool Album of the Day (#950 in the Series)  is Cat Stevens, Teaser and The Firecat. I was going to feature Catch Bull at Four because it contains “Boy With the Moon and Star on His Head” but went with Teaser and The Firecat instead. I love that song but I’ve read that it’s one of the few songs that Cat Stevens recorded years ago that he’s actually embarrassed about. Sometimes when I do some research for these pieces you learn little nuggets that you didn’t know about and they catch you totally by surprise.  For instance, I learned when looking up Teaser and the Firecat that Rick Wakeman of Yes fame played keys on the top 40 hit “Morning Has...

Today’s Cool Album of the Day (#949 in the Series) is Roxy Swain, Restless Hearts Restless Hearts, the second record from local Chicago favorites Roxy Swain, is about as perfectly crafted a set of songs as your ears will enjoy all year. With influences that seem to float from Fleetwood Mac to Emmy Lou Harris, with a hint of daisy-duke era Linda Ronstadt thrown in for good measure, Ms. Swain, the front-woman for the group, with her back of the barroom pipes, slight Americana warble, and abundance of Indie Rock-Chick swagger could be the love child of Chrissie Hynde and Lucinda Williams. There is definitely some palate cleansing retro fairy dust that is sprinkled throughout this highly addictive album...

  GROW MUSIC PROJECT is proud to present episode #06 of “GMP • The Session Diaries”, a new documentary web series about great emerging independent artists and bands that you might not know, but should. Ep.#06 features JUICE LUCAFO, hailing from Phoenix, AZ, (via Chicago, IL) Juice puts you straight away into the heart of the song, especially with a track like “All Tied Up.” There’s no filler with Juice – If she wants to say something, she says it – and with a vocal prowess that is as impressive as it is unique. She’s the complete artist – one that blows you away and remains stuck in your head after just one listen. This episode chronicles the creative...

  Today’s Cool album of the Day (#948 in the Series) is Elvis Costello and Burt Bacharach, Painted From Memory   Reviewers hated this album. I call it the “Album to Never Listen to When Going Through a Breakup” simply because it’s heartfelt and full of emotion. Someone said to me, I’m hurting, and I said be sure to not listen to this then. I grew up with Burt Bacharach, and as a semi-adult I became smitten with all that Elvis Costello did. This “marriage” was a dream coming true. I love this album so much. Add Steve Nieve (keyboards) to it and it makes it close to perfect. Elvis is a crooner at heart, despite his “punk rock”...

  Today’s Cool Album of the Day (#948 in the Series) is Billy Joe Shaver, Long in the Tooth On the Mount Rushmore of 70’s Highwayman Icons, a zip code that includes Willie Nelson,Waylon Jennings, Johnny Cash, and Kris Kristoffersons, Billy Joe Shaver could very well be considered the fifth Beatle, the under the radar cowboy that jump-started the movement with Honky Tonk Heroes in 1973, and in the process put the outlaw in Outlaw Country, reshaped the image of Waylon Jennings, changed the landscape of Country music forever, and just might have laid the foundation for Roots Rock and the Americana movement that is in full force today. Having already used up most of his nine lives, he...

  Today’s Cool Album of the Day (#947 in the series) is Tom Petty,  Hypnotic Eye Every couple of years, starting in 1976, Tom Petty demands our attention. With his debut, self-titled release, Tom Petty and the Heartbreakers, a game-changing blend of straight ahead Rock, Ramones style Punk, and Byrds harmonies, a new contender for the title of future King of American Rock and Roll was Born. Stretching their influences instead of imitating them, this was about as strong a coming out party as you could possibly find, and “American Girl,” the first actual full-length song that Petty ever wrote, created the blue print for the straight ahead sound, and the lyrical purity that has served them well over...

Today’s Cool Album of the Day (#946 in the Series) is Buddy Guy, Damn Right I’ve Got the Blues The process of selecting a blues album to review is not an easy one.  First of all, a lot of people will not think they like the blues or will say they don’t know enough about the blues.  The real answer to both of these questions is that if you listen to music at all, and like music, then you are by definition a fan of the blues.  All of the great rock & rollers of today were heavily influenced by the blues in one form or another. “I’m a King Bee,” “Walking the Dog,” and “Now I’ve Got a...

Today’s Cool Album the Day (#945 in the Series) is Al Kooper, Stephen Stills, Mike Bloomfied, Super Session. Blues, Blues, Blues. Blues at its best. This album was a project put together by Al Kooper. Al had just left Blood, Sweat and Tears. It was 1968. He recruited Mike Bloomfield to play guitar for this project.  They had known each other since playing together on Bob Dylan’s Highway 61 revisited.  He also had Stephen Sills in on the project. Still was in the process of leaving The Buffalo Springfield at the time. Al Kooper played the VERY well-known keyboard part in ‘Like a Rolling Stone.’ In fact, he got the gig mostly by accident.  He was invited to the...