Today’s Cool Album of the Day (#1052 in the Series) is Doug Dillard & Gene Clark, The Fantastic Expedition of Dillard & Clark They may have only recorded together for (roughly) eighteen months but in that short but productive period of time Dillard & Clark made some of the best music you’ll ever hear, two albums and a single which still sound fantastic all these years later. Best of the material though is undoubtedly this superb debut album from October 1968. It’s an album which is a definitive document, and a cornerstone release, of the (then) burgeoning country-rock movement, an album which took the traditional forms of bluegrass, country and folk, gave them a shake, added electric instruments...

Today’s Cool Album of the Day (#1045 in the Series) is Paul Weller, Wild Wood Operating out of an office located deep in the recesses of Buckingham Palace is a covert organization of artistically minded individuals that govern and regulate the art, artists, and entertainment content that is released to the United States. This organization known as E.A.T.M.E (Englanders Against The Music Exportation) has been in existence since the 1960’s, and is considered to be the sole ruling body in determining which artists are released to the unsuspecting U.S. public. Their mission is to keep the good stuff within the realm and export the rest. The Beatles were a “canary in a coal mine” test project where they sent...

Today’s Cool Album of the Day (#1034 in the Series)  is Bob Dylan’s 1975 release, Blood On The Tracks. “A lot of people tell me that they really enjoy that album. It’s hard for me to relate to that, you know. I mean, people enjoying that type of pain ?” – Bob Dylan. It’s one of the most famous quotes in rock music history and he was referring, of course, to people’s reaction to “Blood On The Tracks,” not only his own personal best album but one of the greatest ever made, by anyone. Bob being Bob though, he also came out later and denied that the songs on the album were based on his own life, marriage or...

Today’s Cool Album of the Day (#1011 in the Series) is Jason Isbell, Southeastern. Well, this one has kinda taken me by surprise to be honest. As a long-time admirer of both Jason Isbell and his former band Drive By Truckers I really thought I had him pegged and that I knew pretty much what to expect from anything he’d release next: good, solid  Americana fare with maybe three or four exceptional songs on each album. I have to say however that he’s proved me wrong with Southeastern, this time out he’s offered up a complete gem of an album, full of wonderfully personal songs, straight from the heart, sparkling and emotive. He’s taken it to the next level...

  Today’s Cool Album of the Day (#994 in the Series) is Nitty Gritty Dirt Band, Uncle Charlie & His Dog Teddy Most music fans will know the Nitty Gritty Dirt Band (if they know them at all) as the makers of “Will The Circle Be Unbroken”, a superb album which has become semi-legendary in certain circles, with good cause. It was an essential purchase when it came out in 1972, a wondrous 3 LP set within which tribute was paid by a younger generation to some of the most revered performers of traditional Country music. The likes of Mother Maybelle Carter, Earl Scruggs and Roy Acuff were on board for a seminal release on which both sides of...

Today’s Cool Album of the Day (#992 in the Series) is The Waterboys, This is the Sea. Hands up all those who remember “The Big Music?” Don’t worry, you could easily be forgiven if you don’t! You’ll know the bands associated with it though. The Big Music was a description thrown about in the early 80’s (here in the UK at least) and it was applied, mostly, to a small grouping of bands who were just starting to make an impression on the music buying public and who were all deemed to be making a similar grandiose, epic, “reaching for the sky” type music. You or I would probably just have settled for the term Stadium Rock to be...

  Today’s Cool Album of the Day (#972 in the Series) is Richard & Linda Thompson, I Want To See The Bright Lights Tonight. This is an album I’ve went back to recently and it’s captivated me, full to the brim as it is with wonderfully bleak, world-weary and fascinating songs. I actually found my old cassette copy of it and realized that I hadn’t played the full album in years, most of my Richard Thompson stuff is on compilations. Well, I’m glad I put it on because this is one of the best adverts you could ever get for the Keep The Album Alive! campaign, it’s magnificent from start to finish. Thompson, one of the very best British...

Today’s Cool Album of the Day (#951 in the Series) is Big Country, Steeltown 30th Anniversary Edition The 80s were, without a doubt, a golden era for Scots pop/rock music.  A storm which began brewing deep in the punk and new wave sounds of the late 70’s suddenly gathered it’s forces and unleashed a Tsunami of talent which didn’t diminish for years. One of those talents was the wonderfully gifted Stuart Adamson, a young man who was a founding member of The Skids, a fantastic band from Fife which had great success between 1977 and 1982, became very influential , and which these days has attained semi-legendary status among fans of the Punk/New Wave era. Adamson actually left the band...

Today’s Cool Album of the Day (#934 in the series)  is XTC, Apple Venus (Volume 1) The sun was streaming in through my living room window the other day, making me feel all happy and upbeat and summery , even though it was still pretty cold outside. Upon deciding that i needed some music to enhance this lovely mood the first album which sprung to mind was this little beauty , Apple Venus (Volume One) by XTC , a late period classic from one of my favourite bands. There’s eleven songs on here, each a perfect little gem in it’s own right. As it played i had cause to reflect : this album came out very near  to the...

Today’s Cool Album of the Day (#925 in the Series) is Pixies, Doolittle. Pixies first came to most people’s attention via 1988’s superb “Surfer Rosa,” a raw blast of punky mayhem with a real sense of fun and pop at its core. Produced (or as he likes to say, recorded) by Steve Albini, it garnered the band a whole host of new fans and critical acclaim, setting the band up for greater heights in the process. The question was, could they keep the quality quota as high on the next one and deliver on the promise they’d shown? Easily! The following year’s “Doolittle” was overseen by Gil Norton, who gave their sound a more polished sheen but managed to...